Tag Archives: my Father

Not what I expected

I arrived early at Southwark, and called to let my Father know. ‘Walk towards me.’ ‘I’m sorry?’ ‘Yes. You know where I work? Walk towards me.’ ‘Um. I’ll just meet you outside the station. See you in a bit.’ (It is imperative my parents remain unaware of how little I listen to them. I am aiming for the level of blissful ignorance that saw a friend of mine felled by a GCSE French presentation class. ‘And what does he do, your Père?’ our French teacher asked. ‘I don’t know,’ my friend replied. ‘OK. Tell me in English then.’ ‘I don’t know in English.’ ‘I’m sorry?’ ‘Yes. I don’t know what my Father does. In English or French.’ This was really one of the highlights of my school career. I spent the rest of term making suggestions to my friend about nefarious activities her Father might be getting involved in. To be fair, none of which would have been lucrative enough to pay the school fees).

Anyway, my Father dutifully walked towards me, and we went off to the Young Vic. ‘Would you like a drink?’ ‘Oh, yes please. A vodka tonic would be great.’ ‘A vodka tonic?’ my Father said, in a contemptuous tone. ‘How boring.’ (In my family, it is preferable to be a pederast than to be boring). ‘They have cocktails here. I will order you one.’ ‘Oh, how nice. Thanks Dad.’ ‘I will order this one. It has whiskey, and schnapps, and honey vodka, and normal vodka. Oh and fresh raspberries. I will order one for myself too.’ ‘Um, OK. And perhaps a glass of tap water?’ ‘Well, obviously get whatever you want,’ my Father said, baffled.

The waitress disappeared, and returned with two glasses of tap water. My Father looked at them. ‘These are terribly plain, aren’t they? Not what I was expecting at all.’ ‘I’m sorry?’ ‘Well, where are the raspberries?’ ‘Um, Dad? This is the tap water.’

The play really had nothing on my Father’s excellent, if somewhat unplanned wit.

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Almost Brecht

My Father called me last Saturday. I was barely alive, so I don’t remember much of the conversation. He called again on Sunday, when I was a little less hungover. ‘Well,’ he said, ‘That’s very good. We can have dinner there before. I do like Brecht.’ ‘Yes.’ I wondered what other, mysterious things I had agreed to do. I would just wait and see. It was rather exciting.

I merrily started my week, continuing to be my Mother’s PA (which I am doing either spectacularly or dreadfully it depends if she’s being sarcastic or not). The receptionist called me. ‘A gentleman keeps calling for you.’ ‘Yes.’ ‘Well, aren’t you excited?’ ‘It’s my Father, isn’t it.’

I picked up the phone. ‘Hi Dad.’ ‘So, just to confirm, let’s meet in the foyer at 6.30 tonight.’ I was in too deep. ‘Of course! Looking forward to it! I also like Brecht! Well, I’m not sure if ‘like’ is the correct word, but yes, smashing!’ I quickly started google searching Brecht plays in London. Nothing.

I called my Father. ‘Hi Dad.’ ‘Oh hello. What’s wrong?’ ‘Oh nothing,’ I said breezily. ‘Just wondering where the theatre is.’ ‘Oh, yes. The Young Vic. It’s actually closer to Southwark.’ ‘Marvellous!’ (It is possible my Father now thinks I have some kind of over-excitement disorder, but he probably thinks Brecht will calm me down).

I popped over to the Young Vic website. ‘What’s On?’ I asked politely. ‘Disco Pigs’. I see that I am less well-versed in Brecht than I thought. I read on. ‘Pig and Runt are soulmates. They share an appetite for drunkenness, recklessness and destruction. But on the eve of their 17th birthday it is an appetite for sex that threatens to tear them apart.’

I am not sure I can watch a live performance of an episode of ‘Skins’ with my Father. I call him back. ‘Hi Dad. Obviously I’ve been looking forward to this for ages, but could you just remind me of the title of the play? It’s going to be great!’ My Father dutifully tells me we are to see ‘Street Scene’, and decides that we should meet in the foyer, rather than the restaurant. (I believe this is because he is worried about what I will order should I arrive before him).

I look back at the Young Vic website. ‘A glorious blend of Broadway musical and American opera, Street Scene won the first ever Tony Award for Weill, confirming him as one of the 20th century’s most original and popular composers.’ I’m pretty sure Brecht never won a Tony…but then I’m hardly in a position to question my Father’s attention to detail.

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